让·梅金杰(Jean Metzinger)高清作品《金色少女》

作品名：金色少女

艺术家：让·梅金杰

年代：1911—1912

风格：分析立体主义

类型：风俗画

《骑马的女人》是这样构思出来的，即观赏者必须长时间地观赏这幅画的多面体，不仅在空间上，而且在时间上，把可辨认的形体拼凑在一起，这是由于移动ar的行为所产生的时间演变。主题（绘画过程中）。只有这样，更模糊的结构变得与整个空间的拓扑上下文清晰易懂。基于非常规的空间和时间规则的激进的新概念将画布从准静态转变为具有动态演化特征的事物。不再受欧几里德几何（或古典文艺复兴时期的透视）支配，梅辛格的《骑马的女人》由一系列椭圆、曲线和直线结构和平面组成，这些平面并列分布在画布上，构成抽象体积的许多复杂组合。IC的形式，而不是定义潜在的主题。

Title:La Femme au Cheval

artist:Jean Metzinger

Date:1911 - 1912

Style:Analytical Cubism

Genre:genre painting

Woman with a Horse was conceived in such a way that the viewer is obliged to contemplate the manifold surface of the painting for an extended period of time, piecing together the recognizable forms, not just in space, but in time; due to the temporal evolution resulting from the act of moving around the subject (during the painting process). Only then do the more obscure structures become legible with the topological context of the multi-dimension space of the whole. The radical new concept based on a non-conventional precepts of space and time transformed the canvas from something quasi-static to something that possessed dynamic evolutionary characteristics. No longer governed by Euclidean geometry (or classical Renaissance perspective), Metzingers Woman with a Horse is composed of a series of ellipses, curvilinear and rectilinear structures and planes juxtaposed and distributed throughout the canvas in myriad complex combinations of abstract volumetric forms that suggest rather than define the underlying subject.