索尔·勒维特(Sol LeWitt)高清作品《埋藏的立方体含有重要但重要的物体》

作品名：埋藏的立方体含有重要但重要的物体

艺术家：索尔·勒维特

年代：1968

风格：概念艺术

类型：照片

据报道，这个立方体的埋葬是在当地的一个花园里进行的，但是这些照片，再一次提到了系列或过程的概念，是LeWitt的行动实际发生的唯一证据。没有看到事件发生，或者不知道数据集中保存了什么，隐藏数据集依赖于这个想法，而不是一个完成的对象。这是一幅概念性的作品，这部作品是在列维特1968年发表描述新概念艺术运动的宣言后不久创作的。在宣言中，他宣称，执行是敷衍了事的事情。同样的，通过清空这种“埋葬”式的实际葬礼，一种极其重要、情感和个人事务，包括内容、价值、姿势和表达，LeWitt从作品中脱离出来，并强有力地结束了死亡。作者“立场”。用他自己的话说：“一旦他不在手中，艺术家就无法控制观众对作品的感知方式。”不同的人会以不同的方式理解同样的事情。

Title:Buried Cube Containing an Object of Importance but Little Va

artist:Sol LeWitt

Date:1968

Style:Conceptual Art

Genre:photo

The burial of the cube reportedly took place in a local garden, but these photographs, referring again to the notion of the series or process, are the only proof that LeWitts actions actually took place. Without seeing the event taking place, or knowing what is held within the cube, Buried Cube relies on the idea, as opposed to a finished object. A conceptual piece, this work was produced shortly following the publication of LeWitts 1968 manifesto describing the new Conceptual art movement. In the manifesto, he declares, The execution is a perfunctory affair. The idea becomes a machine that makes the art. Likewise, by emptying this burial-like an actual interment, an extremely important, emotional, and personal affair-of content, value, gesture and expression, LeWitt disengages himself from the work and takes a strong death of the author stance. In his own words: Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.