让·梅金杰(Jean Metzinger)高清作品《在自行车赛道上》

作品名：在自行车赛道上

原名：在赛车场

艺术家：让·梅金杰

年代：1912

风格：立方未来主义

类型：风俗画

介质：拼贴,油画,帆布

尺寸：130.4 x 97.1 cm

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

Jean Metzinger是一位敏感而聪明的立体主义理论家，他试图通过他的绘画和他的作品来传达这一运动的原理。立体派和未来派的装置出现在自行车赛道上，尽管它们叠加在一个本质上是自然主义的图像上。立体派元素包括印刷纸拼贴、掺入颗粒表面和使用透明平面来定义空间。运动主体的选择、速度的暗示以及形式的融合在未来主义绘画中找到了相似之处。虽然这些装置处理起来有些笨拙，印象主义的影响仍然存在，特别是在使用颜色点来代表背景中的人群时，这项作品代表梅辛格试图用一种新的图画语言来表达。（Lucy Flint）

Title:At the Cycle-Race Track

Original Title:Au Vélodrome

artist:Jean Metzinger

Date:1912

Style:Cubo-Futurism

Genre:genre painting

Media:collage,oil,canvas

Dimensions:130.4 x 97.1 cm

Location:Solomon R. Guggenheim Museum, New York City, NY, US

Jean Metzinger, a sensitive and intelligent theoretician of Cubism, sought to communicate the principles of this movement through his paintings as well as his writings. Devices of Cubism and Futurism appear in At the Cycle-Race Track, though they are superimposed on an image that is essentially naturalistic. Cubist elements include printed-paper collage, the incorporation of a granular surface, and the use of transparent planes to define space. The choice of a subject in motion, the suggestion of velocity, and the fusing of forms find parallels in Futurist painting. Though these devices are handled with some awkwardness and the influence of Impressionism persists, particularly in the use of dots of color to represent the crowd in the background, this work represents Metzinger’s attempt to come to terms with a new pictorial language. (Lucy Flint)