星夜文森特梵高(Vincent van Gogh)高清作品欣赏

  • 送花艺术
  • 2025年03月07日
  • 文森特·梵高 (Vincent van Gogh)高清作品《星夜》 作品名:星夜 原名:星夜 艺术家 :文森特·梵高 年代:1889年,圣雷米,法国 风格:后印象派 类型:云景 材质:布面油彩 标签:房屋和建筑,黄昏和夜晚,阿尔勒,星星和行星 尺寸:92×73厘米 收藏:现代艺术博物馆(现代艺术博物馆),纽约市,纽约,美国 梵高的夜空是一个充满活力的领域。在爆炸的星星下面

星夜文森特梵高(Vincent van Gogh)高清作品欣赏

文森特·梵高(Vincent van Gogh)高清作品《星夜》

作品名:星夜

原名:星夜

艺术家:文森特·梵高

年代:1889年,圣雷米,法国

风格:后印象派

类型:云景

材质:布面油彩

标签:房屋和建筑,黄昏和夜晚,阿尔勒,星星和行星

尺寸:92×73厘米

收藏:现代艺术博物馆(现代艺术博物馆),纽约市,纽约,美国

梵高的夜空是一个充满活力的领域。在爆炸的星星下面,村庄是一个安静的地方。连接地球和天空是火焰状柏树,一种传统上与墓地和哀悼有关的树。但是死亡对梵高来说不是不祥的。“看星星总是让我做梦,”他说,“为什么,我问自己,天空中闪闪发光的点难道不应该像法国地图上的黑点那样容易接近吗?”正如我们乘火车去塔拉斯康或鲁昂一样,我们用死亡去达到一颗星星。艺术家把他的经历写给他的兄弟西奥:“今天早上,我在日出之前很久,从我的窗户看到了这个国家,除了看起来非常大的晨星,什么也没有。”宁星,或者金星,可能是星空中中心偏左的大白星。另一方面,哈姆雷特被发明了,教堂尖顶唤起了梵高的故乡荷兰。这幅画,就像它白天的伴侣,橄榄树,植根于想象和记忆中。梵高将印象主义的真理学说抛弃在自然界之外,而代之以不安分的感觉和强烈的色彩,正如在这幅充满的画中,梵高使他的作品成为后来所有表现主义绘画的试金石。

Title:The Starry Night

Original Title:De sterrennacht

artist:Vincent van Gogh

Date:1889; Saint-rémy-de-provence, France

Style:Post-Impressionism

Genre:cloudscape

Media:oil,canvas

Tag:houses-and-buildings,twilight-and-night,Arles,stars-and-planets

Dimensions:92 x 73 cm

Location:Museum of Modern Art (MoMA), New York City, NY, US

Van Goghs night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. Looking at the stars always makes me dream, he said, Why, I ask myself, shouldnt the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star.The artist wrote of his experience to his brother Theo: This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big. This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Goghs native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.