乔治·巴塞利兹(Georg Baselitz)高清作品《雕塑模型》

作品名：雕塑模型

艺术家：乔治·巴塞利兹

年代：1980

风格：新表现主义

类型：雕塑

“雕塑模型”是巴斯利茨的第一个雕塑，它代表了他对这种中型木材的粗鲁处理——一种类似于他先前作品中对油漆的处理。类似于路德维希·基什内尔等艺术家作品的原始化倾向，巴斯利兹在非洲雕塑中找到了灵感，相信它为更自然地表达运动和人类情感提供了一个模型。作品首次在1980威尼斯双年展西德馆展出。Baselitz原本打算画画，但后来改变了主意，只寄出了这个雕塑。这幅画立即引起了争议，因为画中人物举起的手臂姿势与纳粹的敬礼相似；画中人物的红色和黑色也被解释为第三帝国的颜色。然而，其他来源的雕塑建议自己：也许未来主义青铜，独特的形式的空间连续性，由翁贝托波乔尼，和巴斯利兹还说，作品的灵感来自于一个可食用的纪念品在德累斯顿市场上出售。图中的姿势——一块木头所束缚在地面上的图形——可能只是传达挫折感。

Title:Model for a Sculpture

artist:Georg Baselitz

Date:1980

Style:Neo-Expressionism

Genre:sculpture

Model for a Sculpture, Baselitzs first sculpture, typifies his crude treatment of wood in this medium ?- a treatment analogous to his treatment of paint in his previous work. Similar in its primitivizing tendency to the work of artists such as Ludwig Kirchner, Baselitz found inspiration for the approach in African sculpture, believing it to offer a model for a more spontaneous expression of movement and human emotion. The work was first exhibited in the West German Pavilion of the Venice Biennale in 1980. Baselitz had originally intended to show paintings, but changed his mind at a late stage and sent only this sculpture. The work immediately sparked controversy, since the raised arm gesture of the figure is similar to the that of a Nazi salute; the red and black coloring of the figure has also been interpreted as a reference to the colors of the Third Reich. However, other sources for the sculpture suggest themselves: perhaps the Futurist bronze, Unique Forms of Continuity in Space, by Umberto Boccioni; and Baselitz has also said that the work was inspired by an edible souvenir available at a market in Dresden. The gesture of the figure ?- a figure bound to the ground by a block of wood -? might simply communicate frustration.