故宫馆藏瓷枕数据驱动的中国工艺品简洁陶瓷介绍
数据驱动的中国工艺品简洁陶瓷介绍:故宫馆藏瓷枕
在中国历史悠久的陶瓷艺术中,瓷枕作为一种实用与装饰相结合的器物,展现了唐代至元代窑匠们精湛技艺和审美追求。以下是几件著名的故宫馆藏瓷枕,它们不仅体现了当时技术水平,还反映了不同时期工匠对自然、生活和文化元素的独特理解。
唐巩义窑绞胎枕
此种姿态优雅的小巧制品,以白色胎土为基底,上面绞出五彩斑斓团花纹样,并施以黄釉。这是一种典型的唐代瓷枕,其设计简约而不失韵味,图案清新明快,如同小诗一首。
唐长沙窑白釉绿彩枕
长沙窑产出的这款白釉地绿彩绘菱形花纹之作,表达了一种宁静淡雅的情感。它凸显了长沙窑匠师在传统绘画技法基础上创新与发展所取得成就。
唐河南密县窑珍珠地鹦鹉纹枕
这款珍珠地鹦鹉纹之碧玉质感十足,通过细密排列珍珠纹层层叠加营造出一种既古老又现代的感觉。同时,这样的作品也展示了唐代工匠在色彩搭配上的高超技艺。
宋绿釉三彩划花人物纹枕
绿釉三彩划花人物纹之作,是宋朝时期磁州窑的一大特色。在这一作品中,可以看到两个人物并肩前行,其中一人手持鱼篓,一人扛杆,他们穿着黄服和绿服,与周围生机勃勃的人物、树木及云朵形成鲜明对比.
宋磁州窑白地黑花八方枕
八方形构造与竹节状突起使得这件作品既实用又富有装饰性。其黑色边框中的牡丹图案,用笔生动活泼,让人仿佛能触摸到那细腻的手法.
宋磁州窑白地黑花婴戏纹枕
婴戏主题是宋代磁州窑常见题材之一。这件作品描绘两个孩子嬉戏,其中一个孩子头上落下一只小鸟,而另一个孩子则惊讶而兴奋。此类情景简单却充满童真,为我们展现出那个时代儿童游戏自由无忧的心态.
宋磁州窑白地黑花竹叶春笺卷草棱角线条错缝布局等,都表现出了宋代工艺品特有的风格,使得每一块都成为独具风韵的小画卷.
宋定盏孩儿背睡于榻上状,以孩儿背部为面,一臂环抱垫住头顶另一手拿着球,他身穿长衣坎肩下摆印有团花紋。他身旁模印开光四面,有螭龙凸起如意头文。一颗牙口呈素胎无釉底孔二孔.
宋吉州窑绿釉刻叶松枝多枝交错成组合,如意形开光内刻叶矩阵四片,每片间隔均留有一段空隙于外侧戳印朵。
10.Song 青白 采取青化后的天蓝调以及纯粹的羊脂玉一样透明度,被誉为“假玉器”,具有极高艺术价值。
11.Gold 磁城镇双狮模仿虎皮条纹模糊似虎皮,但实际上是描绘残荷芦雁水鸭游弋的大雁飞翔场景,其生动逼真让人仿佛置身其中。
12.Augustine White 地 Black 花马戏图
This article introduces the ceramics of China, specifically the porcelain pillows from the Tang to Yuan dynasties.
The article highlights ten different pieces from the Palace Museum collection, each showcasing unique designs and craftsmanship.
The pieces range from simple yet elegant forms with minimalistic patterns to intricate depictions of everyday life scenes.
Each piece reflects not only the technical skills of the artisans but also their understanding and appreciation of nature, culture, and daily life.
This data-driven exploration provides a comprehensive overview of Chinese ceramics during this period while highlighting specific examples that demonstrate exceptional artistry and cultural significance.
The introduction begins by describing two pieces: "Tang Patuigou Tied Pillow" (No.1) and "Tang Changsha Tiepillow" (No..2). These are followed by descriptions of six more pieces: "Song Qingyao Tiepillow" (No...3), "Song Jizhou Tiepillow" (Nos...4-5), "Song Dingshuo Boy Pillows" (No...6), "Song Jizhou Tiepillow with Child Play Pattern" (No...7), "Song Dingzhou Boy Pillows Back Sleeping on Bed State", etc., showcasing various styles such as white base black flower design or green glaze three-color carved leaf patterned pillow.
The text is written in a concise manner with short paragraphs for each piece providing information about its shape, size, material used in its construction along with any notable features like perforation at bottom for ventilation or carving details that reflect artistic skill level achieved during these times when ceramic production was an essential part of society's economy & lifestyle transformations over time; thus giving readers insight into how these works were created through careful observation & description rather than just listing out dates or names alone without explaining what made them significant in history!